
Online Gallery Space
Since its inception, CCC has managed an ongoing Open Call. The gallery page below features a selection of those who have taken part so far, including four highly commended artists selected in collaboration with Zimbabwe’s National Gallery, Bulawayo: Aubrey Bango, Dumisani Ndlovu, Talent Kapadza & Danisile Ncube. Each of the works featured here explore issues related to the climate crisis.
Cover artwork above by Kundai Nathan | Banner below by Leo du Feu
This page was designed for viewing on large screen: on desktop, laptop or tablet

Creative Responses to the Climate Crisis
On this webpage we are presenting wide-ranging creative responses to the climate crisis. These artworks explore some of the issues we face as our planet warms: from the death of our ocean’s kelp forests, to seabird extinction; from life in an arid environment, to overfarming; and from plastic pollution to ozone depletion. Most of the works here come from artists living in the global south, in locations already feeling the impact of climate change.
Anna Dessenne alias BERGMARK | Laminaires, found papers
Erica Lüttich | Grape Tree Ice Page
Date: 10th May 2021; Time: 15h35–16h29; Temperature: 26 degrees; Wind: 10 km/h; Humidity: 35%
“I live in the Hex River Valley, which is an export grape producing landscape and a mono culture. This has huge implications for the environment. As it is the only work opportunity for most people the possibility to change this is very little, so my ice pages are one way of highlighting the melting ice caps, which will result in huge climate changes. But as we cannot see this happening and we keep assuming that we will be ok, these ice pages are warning signs that are visible. I record the date, time, wind, humidity and document the leftover grape stems from a vast agricultural system as signifiers of the harmful ways of our very destructive behaviour. Frozen in ice these images are speaking to our blinded folly on this earth…”
— Erica Lüttich
Leo du Feu | Razorbill & Bass Rock, Isle of May, 15 x 21cm
“When large numbers of seabirds wash up like this it’s called a ‘wreck’. On the east coast of Scotland wrecks are most likely to occur when continuous days of storms from the east churn the sea to such an extent that birds simply cannot dive effectively enough to catch their various prey species. If the storm is severe or long or both then seabirds starve and over coming days their bodies wash onto our beaches…” read more on seabirds and our collapsing climate here
— Leo du Feu
Dumisani Ndlovu | My Environment, mixed media, 58 x 50cm
Danisile Ncube | Underfire, mixed media
Aubrey Bango | Waterbody Contamination, found objects, 76 x 50cm
“My artwork is centred around the issues of industrial pollution, toxic contamination of waterbodies, the implications of shifting weather patterns and how communities are directly affected by industrial pollution…”
— Aubrey Bango
Stanley Sibanda with his artwork | Untitled, mixed media, 96 x 66cm
Tashinga | Untitled, mixed media
Lin Barrie | Nguni Sunset, acrylic on loose canvas, 55 x 90 cm
Sabina Mutsvati | Between Plastic & Wire, headdress, discarded materials
Talent Kapadza | Ozone Depletion, mixed media, 50 x 40cm
“Ozone depletion is dramatically affecting human health, as well as the environment; allowing UV radiation to reach Earth and cause, in many cases, severe disease...”
— Talent Kapadza
Kundai Nathan | Plastic Republic Queen, headdress, discarded plastics
Olivia Baker | Trinkets in the Anthropocene, canvas, 15 x 25cm
“By highlighting a small creature, this painting represents the fragility, uniqueness, and oddness of life around us. The image juxtaposes beauty and gentleness with frailness and decay. In an era where mass species extinction is the norm, this painting offers a sentiment of both love and grief; love for the beautiful small companions in the soil and sea around us, and grief for immense destruction and ecosystem collapse.”
— Olivia Baker
Further Artworks
Click to enlarge
Also See
We are taking a selection of your artworks to COP26 – view a teaser online: here
Joy Dunsmore
(part of the Stitches for Survival project for display at COP26)